Disability and Sex Advocacy Paper
Co-writer and Edited by Adam M.
Written for Medical Rhetoric Final Paper 2022
Disability and Sex Advocacy
This paper will examine the relationship between sex and disability. Whereas standard social attitudes minimize the agency of disabled persons in sex, this paper advocates for the reclamation of their agency in romantic relations and their portrayal in media. It will also analyze articles, documentaries, blogs, and academic papers to examine changing attitudes on intimacy, disability, and representation.
Disability Rhetoric
In Judy Z. Segal’s paper, “Sex, drugs, and rhetoric: The case of flibanserin for ‘female sexual dysfunction’ the author examines conflation and misrepresentation by pharmaceutical companies in promoting a flawed sexual dysfunction drug. Flibannserin was marketed as the “female viagra” under the trade name Addyi and was designed to boost faltering libido in adult women. However, all stages of defining the ‘disorder’, to researching the efficacy of the drug, to calculating the risk, were conducted in such a manner that minimized the agency of women in their own sexual lives. Why might a woman over the age of forty begin to have a lowered sex drive? The creators of Addyi would have us believe the cause is a physiological, neurological dysfunction akin to male erectile dysfunction. Even with male sexual subjects, data indicates that is not so simple. Men are just as likely to misattribute the physiological versus psychological causes of sexual dysfunction. Research conducted at the State University of New York at Albany indicates misaligned interoception [1] at the mere suggestion that the placebo was either an erection-enhancing or erection suppressing pill.
[1] Interoception is the perception of sensations from inside the body and includes the perception of physical sensations related to internal organ function such as heart beat, respiration, satiety, as well as the autonomic nervous system activity related to emotions (National Library of Medicine)
Segal questions the flawed methodology and assumptions of the pharmaceutical industry in defining sexual dysfunction, conflating the decline of desire for penetrative sex as inherently disordered. The proponents of Addyi failed to consider that such women may still find orgasm or satisfactory stimulation through masturbation. They failed to acknowledge the role of mental distraction or psychological distress in suppressing sexual appetite, and labeled the general unwillingness of women to comply with their partners’ advances as being a symptom of a disordered mind. According to Segal:
No one asks if women who don’t reach orgasm with their male partners do reach orgasm when they masturbate – or if they are aroused while reading erotica. No one asks if they really expected their libido in their 40’s to match their libido in their 20’s – or their desire for their long-time husbands to match their desire for their newly wed ones.
Segal identified the female-centric challenges that Addyi proponents should have been exploring and disputes the flawed assumptions that exclusively emphasize male agency in sex. Is this sex dysfunction brought on by an actual medical issue or is it simply that society has taught us to expect a certain type of libido through our lives - or - a duty to perform and pleasure our partners. Sprout thus exemplifies prevailing social attitudes toward sex, portraying it as a person’s duty to ‘fix’ their sexual hang-ups and perform, via the aid of a pill.
Prescribing a solution, especially one that must be taken every day and only has a small chance of working, seems like the wrong type of advocacy these women deserve. Slapping a medical band-aid over a perceived issue that is clearly concerning to a number of women, an issue that deserves a real investigation and answers. In a later section of this essay, Personal Narratives, I come across the story of a disabled woman talking about her struggle and sadness when it comes to knowing her partner is aroused yet being unable to satisfy those desires. Whether Female Sex Dysfunction is a disorder or disability or mislabeled phenomenon of the marriage going stale, its resulting frustration impacts the relationship around it.
The self-perceived failure of the women who rallied for Addyi seems to signify toxic responsibility, this idea that they alone must swallow the pill and fix what women and their society views as wrong with them. In “Come as You Are” by Emily Nagoski, the author explains the science and psychology behind sexual desire, . and her analysis more correctly diagnoses how declining sexual activity and desire are nuanced and individualized. She emphasizes how sexual communication and miscommunication lead to varying degrees of function and friction within the relationship. And while Nagoski did not touch heavily upon the idea of Female Sex Dysfunction, she did give countless stories of her clients and peers struggles to understand their partners bodies. She explored the different causes for arousal people feel: some who desire sex when stressed, some who are too exhausted to even imagine sex, and some who struggle to be mentally present for sex. In many of these cases, each partner felt personally responsible for the failure to initiate what they viewed as satisfying sex. Nagoski speaks of imagining our views of sex as a garden, in which some ‘seeds’ planted during development may germinate into certain attitudes and behaviors, such as shame around masturbation and guilt at non-procreative sex. As we grow up it is up to us to decide what stays in that garden, and to communicate to our partner how best to tend to our special garden. Like Segal’s questions on whether or not the ‘sex dysfunctional’ women were able to self-pleasure, Nagoski’s book wants us to explore what sparks pleasure within us.
Not all plants in the garden are healthy, some suck up all the loving water that would otherwise nourish our positive self-perceptions, and our sense of agency in the bedroom. Segal clearly demonstrated how these unhealthy vines choke the discourse of sexual agency.
Part of Even the Score’s[2] message was that a drug that made women interested in sex would be good for the country: it would save marriages. In June 2015, Amanda Parrish (whom we met on Nightline, and who, also in June, authored a Time Magazine article on her clinical trial experience) was the focus of a story at WKRN Radio in Nashville, called, ‘Female Viagra saves local woman’s marriage’. Parrish, not surprisingly, also attended the October 2014 patient-focused meeting, where she spoke emotionally: ‘I want to want it all the time …. I want to always desire my husband and I don’t want it to be situational’ .
The statement, “I want to want it all the time, not wanting sex to be situational” demonstrates clearly how the agency of women in heterosexual sex is subordinated to the appetites of their male partners and crushing social expectations. Amanda is advocating for a cure that has seemingly worked for her, but one that research backs up may not work for others.
[2] Even the Score - Women's Groups Launch Campaign to 'Even the Score' on FDA-Approved Treatments for Women's Sexual Dysfunction, Provide Voice for the 1-in-10 Women who Experience HSDD
Throughout this piece about women’s sex lives, there is a dramatic focus on the husband’s wants - making him feel good or saving the marriage. Even the Score is telling its audience that a medication that ‘fixes’ a woman to want sex will save the country. Persuading us, like with male Viagra, to take a pill rather than to explore and restructure our relationships.
Part of my interest in sex and disability is the need for exploration, to have enjoyable intimacy of any level there needs to be a conversation had. For disabled individuals as much as any other individual, a conversation on pleasures, wants, and worries, benefits all parties involved. Perhaps drugs like Addyi may be a useful part of that solution, akin to a sex toy, but it is not the miracle cure it purports to be.
As a treatment, I believe Addyi falls short. While choosing to take the medication can be an exercise of one’s own agency and desire, Segal and other opponents of the treatment disagree with the pathologizing of declining libido and the idea that the responsibility to correct it lies purely with women. If a woman is able to find pleasure when in the company of herself, is there really a disorder or disability at play? Or is society framing it that only arousal with a partner is to be valued? In subsequent sections, the paper will explore Representation in Shows and how media is attempting to show a range of sexual fulfillment. Encouraging communication in sexual relationships and demonstrating care for the needs and desires of others is an imperative which may improve the quality of all sexual relationships, and especially those of disabled persons. Perhaps as the media-driven view of sexual pleasure changes, so too will the idea on sex dysfunction. Taking away the engrained responsibility many individuals feel to submit to the will of their partner.
Representation in Shows
Disabled representation is known for being inconsistent in television. I think back to shows like Malcolm in the Middle circa the early 2000’s, where the wheelchair-bound Stevie Kenarban is introduced via Malcolm’s mother forcing a playdate between the two, stating “You’re going to be friends with that cripple boy and you’re gunna like it!”. The show initially portrayed Stevie as an incredibly intelligent young man sheltered by his worrisome parents, but later shows him striking out on his own by courting a girlfriend. In one particular episode, said girlfriend was found sitting on his lap kissing him, and Stevie’s parents worried these activities would be too much for his body – culminating in an inhaler battle between son and father to get the right words out. Seeing this type of scene years ago planted the seed in my then young mind, that, while overbearing, perhaps his parents had a point. Wouldn’t it be dangerous to make out with an asthmatic person who only has one lung, especially so because they are wheelchair-bound? It has only been through meeting with and watching media that includes disabled people that the answer to that question comes up. If you worry that it could be dangerous, ask, experiment, or take things slow enough to find out.
Nowadays, we have shows like The L Word: Generation Q and Sex Education that try and normalize disabled intimacy. As noted by the online magazine, PopSugar, those in and outside the disabled community are vying for more thoughtful inclusion of disabled characters in today's media. While disabled characters have been appearing on television, their romantic and intimate lives have rarely seen screen time or the degree of care in which that intimacy deserves to be addressed. PopSugar speaks of, “The sooner we make these changes to the way we discuss and represent disabled intimacy the sooner we can give the disabled population the tools and confidence they need to further advocate for pleasure in their own lives and normalize disabled sexuality to the able-bodied population as well." (Harano, Lauren). The article emphasizes the message, “[a]dvocate for one’s pleasure,” , and I believe the notion parallels Segal’s message. If pleasure is what is being desired, advocate and normalize the communication that is needed.
During season three of Sex Education, we the audience get to witness the blossoming relationship between Maeve and Isaac, Isaac has minimal mobility below the neck due to a spinal cord injury but is able to get around via a motorized wheelchair. The actor who portrays Isaac, George Robinson, brings his real-life experience of being a disabled young adult to the role. We experience the evolution of his and Maeve’s friendship, culminating in a beautiful scene of sexual tension and agency. While Isaac notices Maeve’s hesitancy, he informs her of what he can and can not feel, as well as his ability to still become erect. The scene goes on to include delicate touching and exploration, while also including Maeve asking for consent before taking Isaac’s shirt off. In return Isaac asks Maeve where she likes to be touched, discovering she likes her ears kissed. While easy to overlook, I love that frank discussion about erogenous zones are included in this scene. Places not typically seen as sexual or connected to sexual stimulation are able to amplify this scene of intimacy.
While short-lived, this kind of representation shows both disabled and able-bodied persons that there is a place for them in the conversation of intimacy and that all people have the ability to act on their volition without influence or coercion from others. Isaac was desired by Maeve, and they had an appropriate sexual interaction that left both sides happy. The writer of another article titled, “Why Sex Education's Caravan Canoodle Scene Is Groundbreaking” writes about how, “Growing up as a disabled person and almost always seeing everyone but you being fancied or romantically pursued in films and TV shows lead to the idea that if it were ever to happen, it could only occur within the fantasy or science fiction genres.” The idea that disabled inclusion can only occur outside the main pop culture is a sad notion. Having drama shows like Sex Education provides to viewers a normal everyday look at disabled relations. Incorporating the image of normalcy into everyday society helps break the notion of the topic being taboo.
Firsthand Narratives
Outside of media and research papers is reality, the knitty gritty every day of getting around with a disability and maneuvering the space of relationships and sex. Unlike the well-executed scenes in Sex Education, real, disabled intimacy is often met with hiccups at best and its fair share of sadness. Below we have two varied stories of disabled romance, one of a German couple struggling to find resources that would maintain their ability to have intimacy, and one of an American gay couple where one partner’s journey to self-acceptance and enjoyment of intimacy has led them through many difficult hurdles.
Katja’s experience of seeking sexual fulfillment as a disabled person parallels many of the same issues plaguing the Addyi fiasco. As a German woman with Spinal Muscular Atrophy, her interview with DW News is provides a close view of her intimate life. Katja speaks openly about her relationship with Tim, who is similarly wheelchair-bound, and how while they both have an abundance of sexual desire, acting on those desires is incredibly difficult when neither of them can move their bodies independently. Thankfully, with the aid of their attendants, both are able to lay in bed together and kiss or have oral sex. But anything penetrative requires additional aids, as their personal attendants are not permitted to secure and assist Tim in his hoisting device turned sex swing. Typically, the couple would be able to hire a specific sex assistant, someone who is present in the room and provides the necessary locomotion for penetrative sex.
But after an altercation with the sex assistant, Katja made the decision to fire them and is struggling to find a replacement; forcing her to call local brothels (prostitution is a legal practice in Germany) to see if they might be able to provide the services. Katja’s story, one that had opened with the beautiful love, romance, and mutual exploration of what intimacy looks like for those with a chronic disability ends with Katja’s sadness and worry over no longer being able to have sex with her fiancé. Again, I see the fearful sex-driven language of Segal’s sex dysfunction piece, as Katja answers what the past few months have been like without sex, “It’s awful, I miss it so much, especially at night when we’re in bed together and I can tell that he is aroused.” Katja tears up at this moment and looks off camera before going on to say, “I’m trying to act strong and tell him we’ll find a way. But sometimes, I have doubts. Sex is part of our life, it is a basic need like food” … “I have to stand up for it and fight for it. I don’t ever want to give up. For me, not having sex is not an option.” (Deutschewelle English). In this situation, while there is an abundance of sexual desire, there is the inability to act on those desires. In this case, there is the issue of society not having more programs available to Katja and Tim beside the original sex assistant. Now that that one door has closed, their relationship is struggling with so much pent-up desire. Katja has made it her mission to advocate for and talk about the reality of disabled sex, living through the difficulties of a world that was not built with her in mind.
In the case of the American couple, Adam and Gabe, Gabe was born without limbs and thus has had to learn a quite different way of navigating the world, including intimacy. While Gabe says he realized he was gay at a young age, he struggled coming out due to his Mormon parents. Besides a strict religious upbringing, Gabe had to deal with the very cruel reality of having able-bodied partners who were simply seeing him in order to experience intimacy with someone who lacked arms and legs. Gabe mentions that these types of people put him in situations where, due to his disability, he was unable to leave. As well, even as his parents learned of his sexuality, they urged him to stay in the closet so as to not ‘ruin his public speaking career’. Now thankfully, Gabe has found and is engaged to a man who respects his autonomy and body. Adam sweetly mentions how, “I assume he can do something until he tells me otherwise.” (Barcroftmedia). Adam tells the story that when he first found Gabe on Tinder, he didn’t notice that Gabe didn’t have limbs, instead, Adam felt captured by Gabe’s smile. The two click together beautifully, Gabe joking that, “I like to say that I run the mouth and he runs the limbs.”. In watching the two interact, they look like the perfect couple. A large portion of Gabe’s interview goes over his struggle to find someone like Adam, but it also highlights the journey from the disempowerment and concealment of his sexual orientation to becoming a powerful advocate of his own needs and wants in sex. So now not only has Gabe had to overcome coming out, but also the emotional damage of many toxic relationships. The closing note is thankfully a happy one, we get to see Gabe’s wedding attire, a beautiful white gown-esk piece with a cape. In the end, Gabe was able to find someone that he recognizes as loving him unconditionally while still keeping him accountable. And while they don’t talk about their intimacy, it is clear that the relationship they have is one of equality and passion. A compassionate type of relationship we can all strive to mirror.
Conclusion
Exploring the relation between sex and disability is an important conversation to me and one I feel everyone, especially those who are able-bodied, can benefit from. To communicate and question our own sexual desires, from erogenous zones to lack of arousal, are points of reflection that I view as beneficial. We see through the media articles on Sex Education’s disabled kiss scene, that people online are eager to see representations of themselves. And through Segal and Nagoski, we see how able-bodied persons also need direction on healthy intimacy.
In a perfect world, we would all have access to the tools we need, whether those tools be simply taking the time to understand one another or the government providing us with the medical and social services for autonomy. The persuasion technique at play in so many of these stories, fictional or otherwise, is emotion. The emotion of desire we see between Isaac and Maeve as they explore what their intimacy can look like. The heart-wrenching love and sadness Katja and Tim present in their journey to find access to disabled intimacy tools. To Adam and Gabe’s journey to self-love and mutual understanding. Even in Segal’s piece, there is so much raw emotion in Amanda Parrish’s endorsement of Addyi. Amanda clearly wants her marriage to work even if that means taking on the tag of having a sexual disorder. All of these stories come together to tell the very emotional story of the marginalized, of people who up until now have not had their lives explored in the media and are just now beginning to figure out what a world that includes them looks like. Hopefully, in a few years, it won’t be groundbreaking for a show to include disabled intimacy, and it won’t be difficult to find disabled sex resources or acceptance of one’s sexual preference. Hopefully, in the future, wanting to not have sex will be as normal as wanting sex. For these people, representation matters, for it is through self-advocacy and increasing the agency of the marginalized that the future will actually be changed.
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